Please fill out this supplement as accurately as possible and fax to ++41 1 307 10 19.

The supplement is also available as an Acrobat (PDF) or Word document.

In doing so you assist us in making a tape to film transfer of optimal quality. If something is unclear please see our information sheet(s) on tape to film transfers. We are happy to answer any further questions you may have.
Please contact Jerry Poynton, New York, Tel. (212) 727 36 95
General Information:
Production:
Film title:
Contact address:
Duration:
(min./sec)
ZIP Code/ Town:
Director:
Street:
Photography:
Telephone:
current production stage:
Fax:
email:
web-site
35mm 16mm S16mm

color b/w

Test: yes no
Work to do:

    Picture Negativ Optical Soundnegativ

    Print with sound Print without sound

Projection format (see information sheet (4) "Picture Formats"):
1:1,85 1:1,66 1:1,37 Curtain 1.66 Curtain1.85 Scope
Sound: mono Dolby Stereo others
Additional title work: yes no
Additional information:
Technical Details:
Delivered Format:
Digi Beta Beta SP DV CAM DV D1 HD
other Format:
4:3 16:9 PAL NTSC
Sound:
DAT on videotape Syncmarc: on picture on sound
Mono DOLBY SR Dolby SRD other
Recording:
Track 1 Track 2 Track 3 Track 4
Camera format(s):
Digi Beta Beta SP Beta SX DVC Pro DV Cam

mini DV IMX HD Cam DVC Pro HD

others:
NTSC PAL Film to Tape
Camera type:
Camera was adjusted according to Swiss Effects recommendations: yes no
Other sources used:
 Film to Tape
Output from nonlinear editing system. Which one:
Details for title work
Produce title separately on film yes no
Title design by Swiss Effects yes no
Delivery of title on:
Details for reel breakdown
(The max. reel length consists of 590 m which corresponds to 20‘ on 35mm and 52’ on 16mm.)
Reel breakdown: Syncmark
TC in
TC out
Length
1. reel
2. reel
3. reel
4. reel
5. reel
6. reel
Remarks